πŸŒ‹ 2026. Your Year

“I sometimes look at a cow and think, that’s the most beautiful thing ever.”

​Orlando bloom​

Actors are great.

But it’s a hard fucking job.

And as we all know, the job is not the job. The not job is the job.

The not job is the time that I am not employed as an actor.

It’s where nearly all of the hard work resides.

It’s in the not job that our self confidence falls away and we feel like crap.

It’s in the not job we convince ourselves that we don’t belong.

It’s in the not job that we begin to flounder for direction.

It’s in the not job that we get kicked in the ass just when we thought we were on our ass and couldn’t be kicked in the ass any more.

But

during these not job weeks, months or years,

If we are lucky,

if we are very lucky

we are gifted a moment of clarity

a moment of rock bottom do or die

where we have become so tired of begging, from an industry that doesnt care, begging for them to give us that sweet, sweet not job pain relief

that we realise that we are allowed to do something extreme.

We are allowed to tell them to fuck off

We are allowed to reject the current power structures.

The gatekeepers and the insiders.

And we are allowed to choose ourselves.

To say I refuse to wait for you any longer.

I will make the work I want to make without your permission.

Once you see this, it’s very hard to unsee it.

It’s why this community was founded.

It’s why this newsletter exists.

To help you make a living in the face of a broken system that refuses to let you.

Here’s some of what we’ve got coming in the first quarter of 2026:

January

How to find your superfans

  • We’ll be taking a closer look at how modern actors can start to support themselves by building an audience of folks who love their work.

Febuary

A guide for actors who hate social media.

  • Social media is mostly garbage but we feel like we must be on it. However, there is an alternative. We’ll be exploring ways to use the internet to be creative, build a fulfilling career whilst not feeling like we need to play the shitty social media game.

March

30 Days of 30 Self-Made Actors

  • Every day in March we’ll be focussing on a maverick actor who has found success (we are loosely defining this as financial freedom) in an unconventional way, breaking down the exact steps they took to get there, and sending you the tactics.

April

How much do actors really get paid?

  • We’ll take a looky look at what I earned this year – where it came from – did I actually become a 6 figure actor? How much did I spend on domains.

Plus:

  • More ways for actors to earn money
  • The release of Create & Narrate, our signature audiobook narrator workshop.
  • I’ll be documenting my journey making my first feature film
  • we’ll get to the bottom of this Orlando Bloom cow thing
  • the Selftape Pizza experiment resumes
  • Lots more of your wins
  • + The very first 6fa in-person meet up (more to follow)

Growing this little community is one of our big goals next year so I am going to be slightly more bullish on getting the newsletter in front of more actors who’d benefit from it. And I’d love your help.

If these emails have been at all useful to you, I would love to hear your thoughts.

Here are some friends of the letter who have already left theirs.

testimonial image
testimonial image

Huge thank you to both Tom and Floss.

If you leave a testimonial (takes 2 mins) β†’Not only will you get my eternal gratitude, you’ll also receive the step-by-step guide “How To Earn Your First Β£1,500 Narrating Audiobooks From Your Bedroom” as a thank you.

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Submit by Friday 2nd Jan, guide sent next week

Let 2026 be the year to back yourself.

I can’t wait to see you there.

A x

​

p.s. In case you missed this edition, Florence R from the testimonial above is in The Forsyth Saga at the RSC. I highly recommend you get ticks and go immediately. Both Florence and the plays are tremendous.

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